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Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one major fake book publication or reference work. Modal jazz recordings, such as Miles Davis's ''Kind of Blue'', became popular in the late 1950s. Popular modal standards include Davis's "All Blues" and "So What" (both 1959), John Coltrane's "Impressions" (1963) and Herbie Hancock's "Maiden Voyage" (1965). Later, Davis's "second great quintet", which included saxophonist Wayne Shorter and pianist Herbie Hancock, recorded a series of highly acclaimed albums in the mid-to-late 1960s. Standards from these sessions include Shorter's "Footprints" (1966) and Eddie Harris's "Freedom Jazz Dance" (1966). In Brazil, a new style of music called bossa nova evolved in the late 1950s. Based on Brazilian samba as well as jazz, bossa nova was championed by João Gilberto, Antonio Carlos Jobim and Luiz Bonfá. Gilberto and Stan Getz started a bossa nova craze in the United States with their 1963 album ''Getz/Gilberto''. Among the genre's songs that are now considered standards are Bonfá's "Manhã de Carnaval" (1959), Marcos Valle's "Summer Samba" (1966), and numerous Jobim songs, including "Desafinado" (1959), "The Girl from Ipanema" (1962) and "Corcovado" (1962). The jazz fusion movement fused jazz with other musical styles, most famously funk and rock. Its golden age was from the late 1960s to the mid-1970s. Top fusion artists, such as Weather Report, Return to Forever, Herbie Hancock and the Mahavishnu Orchestra, achieved cross-over popularity, although public interest in the genre faded at the turn of the 1980s. Fusion's biggest hits, Hancock's "Chameleon" (1973) and Joe Zawinul's "Birdland" (1977), have been covered numerous times thereafter and are sometimes considered modern jazz standards. ==1950–54== * 1950 – "If I Were a Bell".〔〔〔(If I Were a Bell ) at ''jazzstandards.com'' - retrieved on April 29, 2009〕〔''The Real Book, Volume II'', p. 194〕 Written by Frank Loesser. * 1950 – "It's So Good". Composed by Henri Betti with lyrics by Jerry Seelen. * 1951 – "Au Privave".〔〔(Au Privave ) at ''jazzstandards.com'' - retrieved on April 29, 2009〕〔''The Real Book, Volume I'', p. 37〕 – Bebop composition by Charlie Parker. * 1951 – "Blues for Alice".〔〔''The Real Book, Volume I'', p. 55〕〔''The New Real Book, Volume II'', p. 26〕 Composed by Charlie Parker. * 1951 – "Night Train".〔(Night Train ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 304〕 Composed by Jimmy Forrest, Lewis P. Simpkins and Oscar Washington. * 1951 – "Straight, No Chaser".〔(Straight No Chaser ) at ''jazzstandards.com'' - retrieved on April 24, 2009〕〔''The Real Book, Volume I'', p. 386〕 Composed by Thelonious Monk * 1952 – "Lullaby of Birdland".〔〔〔(Lullaby of Birdland ) at ''jazzstandards.com'' - retrieved on April 29, 2009〕〔''The Real Book, Volume I'', p. 256〕 Composed by George Shearing with lyrics by George David Weiss. * 1952 – "My One and Only Love"〔〔(My One and Only Love ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 288〕 Composed by Guy Wood with lyrics by Robert Mellin. * 1952 – "That's All".〔(That's All ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The New Real Book, Volume II'', p. 363〕 Written by Bob Haymes and Alan Brandt. * 1952 – "When I Fall in Love".〔〔〔(When I Fall in Love ) at ''jazzstandards.com'' - retrieved on April 29, 2009〕〔''The Real Book, Volume I'', p. 439〕 Composed by Victor Young with lyrics by Edward Heyman. * 1953 – "Here's That Rainy Day".〔〔〔〔(Here's That Rainy Day ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 175〕 Composed by Jimmy Van Heusen with lyrics by Johnny Burke. * 1953 – "Jordu".〔〔(Jordu ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 227〕〔''The New Real Book, Volume II'', p. 175〕 Composed by Duke Jordan. * 1953 – "Minority". Composed by Gigi Gryce. * 1953 – "Satin Doll".〔〔〔〔(Satin Doll ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 349〕 Composed by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer. * 1954 – "Airegin".〔Listed in ''New Real Book, Volume I''〕〔Listed in ''The Real Jazz Book''〕〔(Airegin ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 13〕 Composed by Sonny Rollins. * 1954 – "All of You".〔〔〔(All of You ) at ''jazzstandards.com'' - retrieved on May 7, 2009〕〔''The Real Book, Volume I'', p. 21〕 Written by Cole Porter. * 1954 – "Blue Monk".〔(Blue Monk ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 52〕 Composed by Thelonious Monk. * 1954 – "Doxy".〔〔(Doxy ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume II'', p. 111〕 Composed by Sonny Rollins. * 1954 – "Fly Me to the Moon" (aka "In Other Words").〔〔〔(Fly Me to the Moon (in Other Words) ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume II'', p. 135〕〔''The New Real Book, Volume II'', p. 106〕 Written by Bart Howard. * 1954 – "Four".〔〔〔(Four ) at ''jazzstandards.com'' - retrieved on April 29, 2009〕〔''The Real Book, Volume I'', p. 149〕 Composed by Miles Davis. * 1954 – "Joy Spring".〔(Joy Spring ) at ''jazzstandards.com'' - retrieved on April 29, 2009〕〔''The Real Book, Volume I'', p. 229〕 Composed by Clifford Brown with lyrics by Jon Hendricks. * 1954 – "Misty".〔〔〔(Misty ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 277〕 Composed by Erroll Garner with lyrics by Johnny Burke. * 1954 – "Oleo".〔〔〔(Oleo ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 309〕 Composed by Sonny Rollins. * 1954 – "Solar".〔〔(Solar ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 363〕 Composed by Miles Davis. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「List of post-1950 jazz standards」の詳細全文を読む スポンサード リンク
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